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	<title>www.sarahhardesty.com</title>
	<link>http://sarahhardesty.com</link>
	<description>www.sarahhardesty.com</description>
	<pubDate>Mon, 03 Dec 2012 10:34:36 +0000</pubDate>
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		<title>News</title>
				
		<link>http://www.sarahhardesty.com/News</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/News</comments>

		<pubDate>Mon, 03 Dec 2012 10:34:36 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
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		<guid isPermaLink="false">4542982</guid>

		<description>&#60;img src="http://payload112.cargocollective.com/1/6/202184/4542982/url-1.jpeg" width="579" height="114" width_o="579" height_o="114" src_o="http://payload112.cargocollective.com/1/6/202184/4542982/url-1_o.jpeg" data-mid="27261778"  border="0" align="left"/&#62;

ny.voltashow.com

VOLTA NY - an invitational solo project art fair
Solo exhibition with Davidson Contemporary
Booth 2.06

March 7 - 10, 2013 
82MERCER 
Entrance at 76 Mercer Street
(between Spring and Broome Streets)
New York, NY 10013
 
Mutually acknowledged VIP Access with The Armory Show.
 
PUBLIC HOURS:
Thursday, March 7, 2 pm – 8 pm
Friday – Saturday, March 8 – 9, 11 am – 8 pm
Sunday, March 10, 11 am – 6 pm



&#60;img src="http://payload112.cargocollective.com/1/6/202184/4542982/cropped-wonderground-web-11-29-12-011.jpeg" width="640" height="360" width_o="640" height_o="360" src_o="http://payload112.cargocollective.com/1/6/202184/4542982/cropped-wonderground-web-11-29-12-011_o.jpeg" data-mid="24823560"  border="0" align="left"/&#62;

wondergroundstudios.com

December 15, 2012 - February 2, 2013
325 West End Avenue, #1D
New York, NY
by appointment

studio@wondergroundstudios.com


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		<excerpt>  ny.voltashow.com  VOLTA NY - an invitational solo project art fair Solo exhibition with Davidson Contemporary Booth 2.06  March 7 - 10, 2013  82MERCER  Entrance...</excerpt>

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		<title>Contact</title>
				
		<link>http://www.sarahhardesty.com/Contact-1</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/Contact-1</comments>

		<pubDate>Tue, 05 Jun 2012 14:50:50 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
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		<description>&#60;img src="http://payload61.cargocollective.com/1/6/202184/3535172/Sarah in her studio.jpeg" width="576" height="384" width_o="576" height_o="384" src_o="http://payload61.cargocollective.com/1/6/202184/3535172/Sarah in her studio_o.jpeg" data-mid="18296133"  border="0" align="left"/&#62;
sarah@sarahhardesty.com


Represented by:
Davidson Contemporary
724 Fifth Avenue
New York, NY
www.davidsoncontemporary.com
info@davidsongallery.com



Add your email to get occasional emails about upcoming events and projects:



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		<excerpt> sarah@sarahhardesty.com   Represented by: Davidson Contemporary 724 Fifth Avenue New York, NY www.davidsoncontemporary.com info@davidsongallery.com    Add your...</excerpt>

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		<title>About</title>
				
		<link>http://www.sarahhardesty.com/About-1</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/About-1</comments>

		<pubDate>Mon, 04 Jun 2012 23:36:51 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
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		<description>Talking about my work at The Wassaic Project:



Artist Statement

Devastation that comes and sweeps through our lives leaves a wake of debris, both physical and psychological. In my work I pull together shards and planks that both represent and are actual debris into new forms. Discarded wood from buildings is strung together with a sort of centrifugal force into a massive web. At times it seems as if an entropic force is pulling these planks of wood that once had a structural purpose, into a new dimension, abstracting and de-grounding their original stability. My installations transform the initial weight and presence of these objects into a state of suspended liberation and halted chaos. The environment is meant to have a visceral effect on the viewer, helping them to connect to a tumultuous part of their own lives and find personal resonance. Similar concerns are addressed in my two dimensional work. Long isolated lines are a stand-in for string or strands - pulling, holding, capturing. Silhouettes of birds in flight represent freedom, fearlessness, and strength. Throughout my work I also hope to establish a presence of nature and its connection to the eroding of time. Wood, feathers, mica, and bird imagery combined with the impact of bright fluorescent colors and the geometric pull of string and line are meant to be a platform to discuss topics such as the power and presence of nature, the impact of natural disasters and human destruction, resolution and rebuilding, and the power of will and intention.

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		<excerpt>Talking about my work at The Wassaic Project:    Artist Statement  Devastation that comes and sweeps through our lives leaves a wake of debris, both physical and...</excerpt>

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		<title>Bio</title>
				
		<link>http://www.sarahhardesty.com/Bio-2</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/Bio-2</comments>

		<pubDate>Mon, 04 Jun 2012 23:36:44 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
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		<description>Sarah Hardesty has been awarded residencies at the MacDowell Colony, the Wassaic Project, the Carriage House at Islip Art Museum, Santa Fe Art Institute and Vermont Studio Center. Her work has been included in exhibitions at ISE Cultural Foundation, New York, NY; Storefront Gallery, Brooklyn, NY; MPG Gallery, Boston, MA; Wheaton College, MA; the Tucson Museum of Art and The Museum of Contemporary Art, Tucson, AZ. She has been awarded a Joan Mitchell Foundation grant in conjunction with Santa Fe Art Institute and a Leon Levy award for her residency at MacDowell. She received her MFA from the University of Arizona, and her BS from Skidmore College. She was born in Strong, Maine and currently lives and works in Brooklyn, NY.


EDUCATION
2005 MFA, Painting, University of Arizona, Tucson, AZ
1998 BS, Studio Art, Skidmore College, Saratoga Springs, NY

SOLO EXHIBITIONS
2012 Imminent, Davidson Contemporary, New York, NY
2005 Breaking the Surface, Platform Gallery, Tucson, AZ
2004 Cover, Shane House Gallery, Tucson, AZ
2003 One to None, Lionel Rombach Gallery, Tucson, AZ

SELECTED GROUP EXHIBITIONS
2012 Garbage Barge, Islip Art Museum, Islip, NY
2012 Pulse NY, Davidson Contemporary, New York, NY
2011 Pulse Miami, Davidson Contemporary, Miami, FL
2011 Pulse LA, Davidson Contemporary, Los Angeles, CA
2011 Summer Festival, Wassaic Project, NY
2011 Pulse NY, Davidson Contemporary, New York, NY
2011 Devine Linez, In Rivers Gallery, Brooklyn, NY
2010 Par Avion, Parlour, Siena, Italy
2010 Pulse Miami, Davidson Contemporary, New York, NY
2010 In pieces/New Collage, Storefront Gallery, Brooklyn, NY
2010 Cool and Collected, Kenise Barnes Fine Art, Larchmont, NY
2010 American Demonic, Davidson Contemporary, New York, NY
2010 Bestiary, Wassaic Project, NY
2009 Whose Territorial Imperative?, The Guild Art Gallery, New York, NY
2009 A Conflicted State, ISE Cultural Foundation, New York, NY
2009 Summer Festival, Wassaic Project, NY
2009 Outside In, Wassaic Project, NY
2009 Pay Day-Week 2, The Work Office, New York, NY
2008 Ten Years, MPG Gallery, Boston, MA
2007 Suckers and Biters Love, Lollipops, &#38; the Exquisite Corpse, Ad Hoc Art, Brooklyn, NY
2006 Small Works Invitational, Davis Dominguez Gallery, Tucson, AZ
2006 Ready, Set, D’art, Tucson Museum of Art, AZ
2005 Arizona Biennial ’05, Tucson Museum of Art, AZ
2005 Residual Pull, Dinnerware Contemporary Arts, Tucson, AZ
2004 Platform Gallery, Tucson, AZ
2003 Drawn, Museum of Contemporary Art, Tucson, AZ
2003 Detachment, Tremont Gallery, International Society, Boston, MA
2002 Border-Arizona/Mexico, Sala del Teatro Auditiorio, Nogales, Mexico
2000 Phoenix Gallery, New York, NY
2000 Boundaries, Zeitgeist Gallery, Cambridge, MA
2000 Parabolic Strands, Distant Distant Blue, Wallace Gallery, Wheaton College, MA

AWARDS &#38; RESIDENCIES
2012 MacDowell Colony Fellowship, Peterborough, NH
2011 Carriage House Residency, Islip Art Museum, East Islip, NY
2011 Wassaic Project Residency, Wassaic, NY
2007 Santa Fe Art Institute Residency, Santa Fe, NM
2006 Artist in Residence, Rocky Neck Artist Colony, Gloucester, MA
2004 Vermont Studio Center, Johnson, VT

GRANTS
2012 Leon Levy Grant, MacDowell Colony, Peterborough, NH
2011 Artist’s Grant, Wassaic Project, Wassaic, NY
2007 Joan Mitchell Foundation Grant, Santa Fe Art Institute, Santa Fe, NM
2005 Tucson/Pima Arts Council Grant for Individual Artists, AZ
2004 Arizona Commission on the Arts Professional Development Grant, AZ
2004 Tucson/Pima Arts Council Grant for Individual Artists, AZ
2004 Vermont Studio Center Artist’s Grant, Johnson, VT

BIBLIOGRAPHY
2011 Robinson, Walter, “Pulse, Scope, and More on Miami 2011”, Artnet, December
2011 Johnson, Paddy, “Trendwatch 2011: Pink Located at The Pulse Art Fair”, Art Fag City, March
2011 Kim, Joann, “Pulse is the Fairest of them All”, UpDownAcross, March
2009 Kaye, Stephan, “The Wassaic Project…”, Millbrook Independent, July 8
2009 Boughton, Kathryn, “Mill Gets New Lease on Life as an Emerging Arts Space”, Litchfield County Times, July 2
2009 Perrot, Jeff, “Suggests: Whose Territorial Imperative”, artinfo.com, April 9
2005 New American Paintings, Number 60, Juror: Fereshteh Daftari, Assistant Curator, Dept. of Painting and Sculpture, MoMA, NY
2005 Margaret Regan, “Rebirth Again”, Tucson Weekly, September 1-7, p. 36
2005 Karyn Nestedt, “Her Art is More than Skin Deep”, The Desert Leaf, v19, no7, p.60, 61
2005 Rhonda Bodfield Bloom, “Artists to Watch”, Arizona Daily Star, June 26, E1, E6
2005 Interview w/ Sooyeon Lee, “Arizona Illustrated: Art Scene”, KUAT Broadcasting, April

ARTIST REGISTRIES
The Drawing Center, New York, NY
Irving Sandler Artists File, Artists Space, New York, NY

PANELS/LECTURES/ARTIST TALKS
2011 Artist Talk, Wassaic Project, New York, NY
2009 Artist/curator panel discussion in conjunction with Whose Territorial Imperative, with Kathy Batista (Sothebys), Leslie Rosa (Curator), Meenakshi Thirukode (Curator), Alexandre Singh, and Fawad Khan
2007 Artist Talk, Sante Fe Art Institute, Santa Fe, NM
2006 Artist Talk, Rocky Neck Artist Colony, Gloucester, MA
2005 Non-profits, Lecture to University of Arizona Art Students, Dinnerware Arts, Tucson, AZ
2005 Artist Talk, Tucson Museum of Art, Tucson, AZ
2004 Arts Appreciation, Pima College Students, Shane House Gallery, Tucson, AZ

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		<excerpt>Sarah Hardesty has been awarded residencies at the MacDowell Colony, the Wassaic Project, the Carriage House at Islip Art Museum, Santa Fe Art Institute and Vermont...</excerpt>

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	<item>
		<title>Sarah Hardesty</title>
				
		<link>http://www.sarahhardesty.com/Sarah-Hardesty</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/Sarah-Hardesty</comments>

		<pubDate>Mon, 04 Jun 2012 08:36:57 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
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	<item>
		<title>Drawing &#38; Painting</title>
				
		<link>http://www.sarahhardesty.com/Drawing-Painting</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/Drawing-Painting</comments>

		<pubDate>Sat, 02 Jun 2012 14:23:40 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
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		<guid isPermaLink="false">3516699</guid>

		<description>&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/escapism_sm.jpg" width="581" height="720" width_o="581" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/escapism_sm_o.jpg" data-mid="27373760" caption="&#38;lt;i&#38;gt;Escapism&#38;lt;/i&#38;gt;, 2013, Found wood, acrylic, string on canvas, 13 x 9 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/transformation_sm.jpg" width="576" height="720" width_o="576" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/transformation_sm_o.jpg" data-mid="27373756" caption="&#38;lt;i&#38;gt;Transformation&#38;lt;/i&#38;gt;, 2013, Found wood, acrylic, string on canvas, 12 x 10 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Transmit.jpeg" width="431" height="720" width_o="431" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Transmit_o.jpeg" data-mid="24145936" caption="&#38;lt;i&#38;gt;Transmit&#38;lt;/i&#38;gt;, 2012, Found wood, gold thread, acrylic on canvas, 16 x 8 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Transmit detail.jpeg" width="471" height="720" width_o="471" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Transmit detail_o.jpeg" data-mid="24145939" caption="&#38;lt;i&#38;gt;Transmit&#38;lt;/i&#38;gt;, detail, 2012, Found wood, gold thread, acrylic on canvas, 16 x 8 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Life Support.jpeg" width="590" height="720" width_o="590" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Life Support_o.jpeg" data-mid="24145930" caption="&#38;lt;i&#38;gt;Life Support&#38;lt;/i&#38;gt;, 2012, Found wood, micaceous iron oxide, acrylic, string on canvas, 10.5 x 8.5 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Life Support view 2.jpeg" width="448" height="720" width_o="448" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Life Support view 2_o.jpeg" data-mid="24145933" caption="&#38;lt;i&#38;gt;Life Support&#38;lt;/i&#38;gt;, detail,  2012, Found wood, micaceous iron oxide, acrylic, string on canvas, 10.5 x 8.5 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Life Support detail.jpeg" width="449" height="720" width_o="449" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Life Support detail_o.jpeg" data-mid="24145934" caption="&#38;lt;i&#38;gt;Life Support&#38;lt;/i&#38;gt;, detail, 2012, Found wood, micaceous iron oxide, acrylic, string on canvas, 10.5 x 8.5 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/20.Hardesty_Formation.jpg" width="488" height="720" width_o="488" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/20.Hardesty_Formation_o.jpg" data-mid="18265641" caption="&#38;lt;i&#38;gt;Formation&#38;lt;/i&#38;gt; (diptych), 2012, Acrylic and mica on wood panel, 18 x 12 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/19.Hardesty_A New Meaning_1500.jpg" width="716" height="720" width_o="716" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/19.Hardesty_A New Meaning_o.jpg" data-mid="18265646" caption="&#38;lt;i&#38;gt;A New Meaning&#38;lt;/i&#38;gt;, 2011, Acrylic with mica, gouache, ink, thread, pins on wood panel, 16 x 16 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/11a_1500.jpg" width="720" height="480" width_o="720" height_o="480" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/11a_o.jpg" data-mid="24146793" caption="&#38;lt;i&#38;gt;A New Meaning&#38;lt;/i&#38;gt;, detail, 2011, Acrylic with mica, gouache, ink, thread, pins on wood panel, 16 x 16 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Hardesty_Sarah_10.jpg" width="445" height="600" width_o="445" height_o="600" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Hardesty_Sarah_10_o.jpg" data-mid="24147170" caption="&#38;lt;i&#38;gt;The Inability to Avoid&#38;lt;/i&#38;gt;, 2011, Acrylic, ink, string, &#38;amp; thread, 12 x 9 inches" border="0" align="left"/&#62;

&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Divide_sm.jpg" width="523" height="720" width_o="523" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Divide_sm_o.jpg" data-mid="27374063" caption="&#38;lt;i&#38;gt;Divide&#38;lt;/i&#38;gt;, 2013, Micaceous iron oxide, gouache, ink on paper, 12 x 9 inches" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Release_sm.jpg" width="523" height="720" width_o="523" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Release_sm_o.jpg" data-mid="27374058" caption="&#38;lt;i&#38;gt;Release&#38;lt;/i&#38;gt;, 2013, Micaceous iron oxide, gouache, ink on paper, 12 x 9 inches" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/High Tide.jpeg" width="531" height="720" width_o="531" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/High Tide_o.jpeg" data-mid="24145924" caption="&#38;lt;i&#38;gt;High Tide&#38;lt;/i&#38;gt;, 2012, Micaceous iron oxide, ink, and acrylic gouache on linen, 48 x 36 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Hight Tide detail.jpeg" width="532" height="720" width_o="532" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Hight Tide detail_o.jpeg" data-mid="24145925" caption="&#38;lt;i&#38;gt;High Tide&#38;lt;/i&#38;gt;, 2012, detail, Micaceous iron oxide, ink, and acrylic gouache on linen, 48 x 36 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Appeal to Consequences_12.jpeg" width="529" height="720" width_o="529" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Appeal to Consequences_12_o.jpeg" data-mid="24145974" caption="&#38;lt;i&#38;gt;Appeal To Consequences&#38;lt;/i&#38;gt;, 2012, Micaceous iron oxide, ink, and acrylic on linen, 48 x 36 inches" border="0" align="left"/&#62;
&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Appeal to Consequences detail_13.jpeg" width="581" height="720" width_o="581" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Appeal to Consequences detail_13_o.jpeg" data-mid="24145979" caption="&#38;lt;i&#38;gt;Appeal To Consequences&#38;lt;/i&#38;gt;, 2012, detail, Micaceous iron oxide, ink, and acrylic on linen, 48 x 36 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/14.Hardesty_Consequence.jpg" width="559" height="720" width_o="559" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/14.Hardesty_Consequence_o.jpg" data-mid="18265650" caption="&#38;lt;i&#38;gt;Consequence&#38;lt;/i&#38;gt;, 2011, Ink and acrylic with mica on wood panel, 18 x 14 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/Pursuit_o.jpeg" width="538" height="720" width_o="538" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/Pursuit_o_o.jpeg" data-mid="18265810" caption="&#38;lt;i&#38;gt;Pursuit&#38;lt;/i&#38;gt;, 2011, Acrylic with mica, gouache, ink, graphite on paper, 54 x 40 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/10.Hardesty_Glimmer_sm.jpg" width="538" height="720" width_o="538" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/10.Hardesty_Glimmer_sm_o.jpg" data-mid="18265658" caption="&#38;lt;i&#38;gt;Glimmer&#38;lt;/i&#38;gt;, 2011, Ink, acrylic with mica, gouache on paper, 12 x 9 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/1.detail_1500.jpg" width="720" height="520" width_o="720" height_o="520" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/1.detail_o.jpg" data-mid="24146764" caption="&#38;lt;i&#38;gt;Glimmer&#38;lt;/i&#38;gt;, detail, 2011, Ink, acrylic with mica, gouache on paper, 12 x 9 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/6.Hardesty_Depart_sm.jpg" width="576" height="720" width_o="576" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/6.Hardesty_Depart_sm_o.jpg" data-mid="18265694" caption="&#38;lt;i&#38;gt;Depart&#38;lt;/i&#38;gt;, 2010, Ink and acrylic with mica on wood panel, 20 x 16 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/12.Hardesty_The Force of Will_1500.jpg" width="867" height="720" width_o="867" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/12.Hardesty_The Force of Will_o.jpg" data-mid="18265691" caption="&#38;lt;i&#38;gt;The Force of Will&#38;lt;/i&#38;gt;, 2011, Acrylic with mica, gouache, thread, pins on wood panel, 14 x 18 inches" border="0" align="left"/&#62;&#60;img src="http://payload60.cargocollective.com/1/6/202184/3516699/13.Hardesty_The Great Escape_sm.jpg" width="594" height="720" width_o="594" height_o="720" src_o="http://payload60.cargocollective.com/1/6/202184/3516699/13.Hardesty_The Great Escape_sm_o.jpg" data-mid="18265685" caption="&#38;lt;i&#38;gt;The Great Escape&#38;lt;/i&#38;gt;, 2010, Acrylic and gouache on wood panel, 24 x 20 inches" border="0" align="left"/&#62;

.header_img { display:none!important; }</description>
		
		<excerpt>  </excerpt>

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	<item>
		<title>Sculpture &#38; Installation</title>
				
		<link>http://www.sarahhardesty.com/Sculpture-Installation</link>

		<comments>http://www.sarahhardesty.com/following/sarahhardesty.com/Sculpture-Installation</comments>

		<pubDate>Tue, 22 May 2012 13:39:38 +0000</pubDate>

		<dc:creator>www.sarahhardesty.com</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">2814263</guid>

		<description>&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/parts of the whole_sm_26.jpg" width="540" height="720" width_o="540" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/parts of the whole_sm_26_o.jpg" data-mid="27373619" caption="&#38;lt;i&#38;gt;Parts of the Whole&#38;lt;/i&#38;gt;, 2013, Wood, micaceous iron oxide acrylic, string, 17 x 10 inches diameter" border="0" align="left"/&#62;}&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_The Impact of Optimism.jpg" width="670" height="492" width_o="2048" height_o="1504" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_The Impact of Optimism_o.jpg" data-mid="18144189" caption="&#38;lt;i&#38;gt;The Impact of Optimism&#38;lt;/i&#38;gt;, 2012, Reclaimed wood, acrylic paint, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_The Impact of Optimism_detail.jpg" width="670" height="376" width_o="2048" height_o="1152" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_The Impact of Optimism_detail_o.jpg" data-mid="18144451" caption="&#38;lt;i&#38;gt;The Impact of Optimism&#38;lt;/i&#38;gt;, detail, 2012, Reclaimed wood, acrylic paint, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_Nine Lives_8.jpg" width="401" height="720" width_o="401" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_Nine Lives_8_o.jpg" data-mid="18264630" caption="&#38;lt;i&#38;gt;Nine Lives&#38;lt;/i&#38;gt;, 2012,  Reclaimed wood, acrylic with mica, feathers, string, thread, 54 x 24 x 30 inches" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/16.Hardesty_Nine Lives_detail_19.jpg" width="440" height="720" width_o="440" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/16.Hardesty_Nine Lives_detail_19_o.jpg" data-mid="18264885" caption="&#38;lt;i&#38;gt;Nine Lives&#38;lt;/i&#38;gt;, detail, 2012, Reclaimed wood, acrylic with mica, feathers, string, thread, 54 x 24 x 30 inches" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/In the midst of it all.jpg" width="435" height="720" width_o="435" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/In the midst of it all_o.jpg" data-mid="18264681" caption="&#38;lt;i&#38;gt;In the Midst of It All&#38;lt;/i&#38;gt;, 2011, Reclaimed wood, acrylic, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/Midst detail_21.jpg" width="405" height="720" width_o="405" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/Midst detail_21_o.jpg" data-mid="18264950" caption="&#38;lt;i&#38;gt;In the Midst of It All&#38;lt;/i&#38;gt;, detail, 2011, Reclaimed wood, acrylic, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/In20the20Midst20of20It20All-20detail202_o.jpeg" width="454" height="720" width_o="454" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/In20the20Midst20of20It20All-20detail202_o_o.jpeg" data-mid="18264733" caption="&#38;lt;i&#38;gt;In the Midst of It All&#38;lt;/i&#38;gt;, detail, 2011, Reclaimed wood, acrylic, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/5.Hardesty_You Are My Anchor_16.jpg" width="482" height="720" width_o="482" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/5.Hardesty_You Are My Anchor_16_o.jpg" data-mid="18264599" caption="&#38;lt;i&#38;gt;You Are My Anchor&#38;lt;/i&#38;gt;, 2011, Reclaimed wood, acrylic, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/3.Hardesty_The Negation of Fear.jpg" width="670" height="401" width_o="2048" height_o="1226" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/3.Hardesty_The Negation of Fear_o.jpg" data-mid="18144067" caption="&#38;lt;i&#38;gt;The Negation of Fear&#38;lt;/i&#38;gt;, 2010, Reclaimed wood, acrylic, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_The Negation of Fear_detail.jpg" width="670" height="378" width_o="2048" height_o="1157" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_The Negation of Fear_detail_o.jpg" data-mid="18144149" caption="&#38;lt;i&#38;gt;The Negation of Fear&#38;lt;/i&#38;gt;, detail, 2010, Reclaimed wood, acrylic, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/1.Hardesty_If All Else Fails_14.jpg" width="459" height="720" width_o="459" height_o="720" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/1.Hardesty_If All Else Fails_14_o.jpg" data-mid="18257162" caption="&#38;lt;i&#38;gt;If All Else Fails&#38;lt;/i&#38;gt;, 2009, Reclaimed wood, string, Dimensions variable" border="0" align="left"/&#62;&#60;img src="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_If All Else Fails_detail.jpg" width="670" height="376" width_o="2048" height_o="1152" src_o="http://payload25.cargocollective.com/1/6/202184/2814263/Hardesty_Sarah_If All Else Fails_detail_o.jpg" data-mid="18144158" caption="&#38;lt;i&#38;gt;If All Else Fails&#38;lt;/i&#38;gt;, detail, 2009, Reclaimed wood, string, Dimensions variable" border="0" align="left"/&#62;

.header_img { display:none!important; }</description>
		
		<excerpt>  </excerpt>

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		<media:thumbnail url="/_gfx/thumb_default.gif" />

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